How to Make a Handmade Book

       In this photo is one of the handmade books I have in my show entitled Rock, Paper, Fire at the Jerome Coop.  Alas,  the show must come down this  Wednesday. It has been interesting to see how people react to these books I have created.

 I think the first thing  people notice is the outside cover. I like to pick a handmade paper with some sort of a design that sets the color theme.This paper came from England. I have a large flat file with  my large sheets of paper, and I am all about using what I have first. So I have my blue and brown and tan theme. Then I want to pick my inside sheets, which  here are a white shade. I add a " ghost page " to each of my signatures, and in all of my handmade books. This is a translucent piece of paper made from a natural source. Must give  credit to a fellow calligrapher, Joyce Bank on this style.

 These pages are then sewn together into a signature,  an even number of sheets, because  your stitches are down the center of the paper, which get folded over for your book pages. This is exactly what they do for any  book,where the binding covers the  stitches. In this book I leave the signatures, which I do sew together, showing out the back side, for decorative purposes. I always add beads and decorations to my books.  I like   each one I make  have its own "home" to live in. This  is a decorated  cigar box with a tarot theme. It  can be harder than making something from scratch, because you want to insure it closes properly. So, this is what I wanted to share with you today. Comments ?

The Goddess Within

 I like especially to draw or  sculpt the female form. Our bodies contain  lots of shapes,  planes, and contours.  I call this piece " The Goddess Within". It is made of porcelain, burnished to a high sheen, and fired to a lower temperature in order to maintain  that desired smooth  look. I purposely leave her face not fully portrayed, because I want to convey an abstract of all womanhood, not a specific person.  I believe  all  we woman  have a goddess within us. Certainly we are able to carry  a new life, and that alone seems holy.
 I was with a group of women today and it seems that  when getting together, we create a sisterhood more powerful  than the individual. Of course we can also take the low road and laugh a lot. The Greeks and Romans always gave their Gods and Goddesses human forms and names, and told stories about all their foibles and adventures, or often misadventures. But always there was a deity within. And so , much as I admire many men, I am glad to rejoice in my goddess within.

Space

It's about the feeling of space out there. Often it is inspired by  a location. This calligraphy piece is entitled "My Alaska Vision", after spending a summer in that great country. Quite vast; lots of sky; green; endless open canvas. Somehow I wanted to leave the viewer with that sense of majesty. Black creates a deep background that I feel draws you in. I wanted that  stark contrast, just like in the land and those who dwell there, both two and four legged. White jumps out at you saying " look here". Black and white. Yin and yang."Look closer", it seems to invite you the frame. 
. And always proportion. More empty than filled up, more quiet than busy,   just like the land that inspired it. 

 So how much to include in your artwork, how much room  to leave open? Space has power. It can have a stillness, or it can add to the drama of what you are creating, in the studio, or in your life.  Space, the last frontier.

Reiki in Calligraphy Form

I am feeling kind of mellow this morning. The soft Sedona sun is filtering in from the east; is is a Monday, which is the beginning of a new work week, and I like my work; I have people in my life that I care about and I feel I matter to them. I was reminded of this calligraphy piece that is in my current show in Jerome.It is a collage piece, about 24" by 36", in shades of tan and brown. Just in case you cannot read clearly, it is called the 5 Principles of Reiki, which a healing modality that I don't really know too much about, but am curious.

It goes something like this.... Just for today I will live the attitude of gratitude...I will not fear or worry... I will not be angry...I will do my work honestly...I will be kind to my neighbor and every living thing.

So that is my task for myself today: to go forth and to live out my own art work, and catch myself when I go into those old patterns of reacting to things , without being mindful of my intention.

What are your feelings on this? care to comment?

Playing with Fire

It is a hot day today in Sedona, AZ .It feels like summer is coming upon us. And heat is what I play with when making ceramics.This Raku jar is in my current show called Rock, Paper, Fire at the Jerome Cooperative. Notice the title, no accident there. I play with fire, and that means I must have some care,and yet some creative abandon. Kind of what we deal with every day, isn't it?

With Raku, I must reach into an extremely hot kiln with tongs ,while wearing gloves and lots of protective gear, and pull out my red hot creation.This piece then goes into a trash can with lots of paper as I watch the flames ignite and quickly close the lid to create a perfect reduction environment . Sounds technical, but out comes this beautiful jar with its lid entitled " Shimmer".

Of course this entire process of ceramics is extremely dependent upon the good will of the kiln gods, however they appear to each of us. I used to make a small figure for each kiln load. Why did I stop doing this I wonder?

I did said my prayer to these spirits this morning when I got up early to start my glaze firing. I could see the red glow of the heat when it finally turned off hours later.I won't even look at the inside of the kiln for 24 hours.Too much of a shock to the ceramics to let in cold air. Fire, heat, shimmer. It is all around us, inside us when we are filled with passion, about our art, our love, our life.

What are your feeling about fire and heat?

The Color Turquoise

Well , here I am again on my colors. This particular color has been an important part of my life for years. When I first moved to Sedona, over 25 years ago from southern California , I thought this hue was the meaning of the southwest. The beautiful jewelry that the native tribes created. The first Navajo rug in my collection that came from the shop in uptown had the most lovely colors of turquoise and dark red . I chose to build my home decorating theme around this shade.

So how does this relate to the art world? If you want to make it in that venue, it helps to to create a signature style, so your gallery and your patrons recognize who you are without having to read the little name and price tag next to your creation. Your collectors will want to add more to their collection of your works. For me, I found that in my ceramics, my particular color and texture of this color glaze, with my unique and individual handmade style, could sell. And we want to sell so we can keep creating, make our living and contribute to the gallery's fiscal joy also.Then everybody's happy, and we all like to be happy.

So , turquoise and I are dear friends and I still have the rug and I still create my handmade pieces. This creation is a large platter that hangs on the wall and is , decorated with , what else, turquoise stones.

Is this a color you relate to? Comments?

The Color Gray

Here I am continuing with my color series, it seems. The color gray, like the old snow and misty fog in the sky and mountains around Sedona. The color gray is a hard one. Just think about matching that gray wall or trim when you go to the paint store without a specific sample.

As an artist, you have to decide which of your papers you will use before you even start your artwork. Does it have a slight blue gray tone to it? Is it have a warm or soft tone ?

It could be a parchment white, with little swirls of a grayish pattern in it. So many shades of gray. And that of course will influence the color you use to paint with, or in my case, do my calligraphy . Maybe sepia ink will have more harmony in the body of the text than just black ink? Or maybe I should just mix up some Paynes gray and write with that? So many decisions to make before I even commence. So don't ever think that gray is just a muted black, or a mixed up white, it is its own color.

Any favorite thought you care to share about the color gray?