Tuesday, February 13, 2018

The Art of Gems

Here I am at the Tucson Gem Show, a far way from Sedona. Here is a world of temptation, with people from all over the world selling beads, gems, and all manner of jewels. 
I have always made jewelry, primarily using the handmade porcelain beads I make and fire in my kiln. 
My horizons are expanding.
I am also now creating my "Jewels" using glass beads, like this gold set to the left. I like the idea that with  an earring and necklace set, you can feel " put together" as you walk out the door. 
It is really not as simple as putting some beads on a wire. There is the color scheme to choose. The choice of spacing  beads can also make an impact. What is the desired end result, simple or dramatic?
It has been an interesting path for me. I think part of the appeal  is that it doesn't take  months from start to finish.  Often that is the time frame with my ceramics. I can actually see end results sooner than later. That is very fulfilling to me to get some gratification before the sun sets.
As I continue to sort and choose my beads , like all art, the medium tells me which direction to go. It is a fun learning process, the art of the gems,


Sunday, December 31, 2017

A Look Back, and then Forward....

Here it is the last day of 2017  here in Sedona, Arizona. Like many, I get kind of nostalgic about how fast this last year " slipped by". This is a poem I wrote and penned in calligraphy  that seems to sum it up, especially these last  verses:    "Who could have imagined?   There was always more space                                          Out there in the future, No, it's gone with no trace."
           "Where did it go, that ten years ago? "
"Amazement at life's passage, No regrets, well maybe some
But that ultimate question, How much yet to come?...

So many pieces to create, and who ever knows our time frame? I have been very active in my head these last two months. Ideas are taking shape and yet I have not gotten into actually going through the final task of Doing them. Sound familiar?
My friend calls this " Artistic tension" , when your stomach churns and you don't know how you will possibly follow through and create the reality of what is in your head. 
But it will happen, next year, I'm thinking.
Not only a resolution, but I say this With resolution.
And you: what dreams do you plan to carry out as a whole new year commences?


Thursday, November 16, 2017

The Art of Origami in a Handmade Book

This is my latest handmade creation in the wonderful world of handmade books I make as an extension of my art of calligraphy. After all, the writing was always put in handmade books back in the very early days.
Known as the  Bookboard  style, with a slip knot binding, there are  12 pages, made out of a sturdy cardboard.
Since each side is covered with a decorative page, there are really are 24 images to view. Finding all the decorative paper was a challenge. I ended up buying a notebook of these designs, which I decided to mix and match, using  with a crystal  theme. Purples, and greens and pinks! The edges are sprayed with a gold paint, and the binding a consecutive slip knot  made from green embroidery thread. 
 What makes this one so intriguing, is that the inside is filled with origami foldouts on many of the pages. While this appears facile, making the exact folds is really tricky. I  used the thin, shiny origami paper, which takes the folds so well. The instructor has a notebook full of these patterns she shared with us.
This is a new learning process for me , and will take some practice. I did manage to  put  different designs throughout the pages. Not quite complete, I am still thinking of what  surprises to add for the finishing touches.

Monday, October 9, 2017

Flourishes in Calligraphy

Here is my hand on the page doing calligraphic flourishes. You know, all those elegant designs done with your pen that make a word or page stand out. 
I was lucky enough  to recently take a day's workshop with Paul Antonio, a six foot tall Englishman who creates calligraphy for the Queen of England. Their country has a long tradition, and appreciation, of handwritten work. Plus there is all that nobility and honors they give out. 
He really starts with the basics: how you are sitting; what is the position of your hand, and the pen you are holding. We used the pointed nib, commonly used in Copperplate styles going back to  the 16th century. The rules  apply to using a  broad nib also. Then there is  breathing: Upstroke -inhale; down stroke- exhale.  Ever notice we often hold our breath when we are working on fine art details? I know I do. That's a lesson I want to hold onto. 
Paul pays lots of attention to the mathematical shapes and angles involved. We began drawing ellipses with a pencil, that later become those same patterns  in ink. Teach the hand through repetition.
I like to refresh my calligraphy  by taking a course when I can. Living in Sedona always means travel to the teacher.  We all get into habits, often not very good ones. An English accent makes that critique a bit easier. 
He recommends 20 minutes every other day of practice. I'm on it. Ideas are dancing in my head about how to apply these lessons. Ah hah. The holidays Are coming up... 


Tuesday, September 26, 2017

Calligraphy to Honor the Civil Rights Movement




This is the poem I just completed in Calligraphy. It concerns the life and struggles of Mississippi civil rights worker Fannie Lou Hamer.
It is written in the Italic style and fitting in all the words meant an extra long piece of paper, plus lots of effort to make No Mistakes in the words of the author, Dan Richard. He was so moved by the story of her personal struggles that he wrote this poem, which was read to Dr. Martin Luther King. He commissioned me to make this handwritten tribute to her which will hang in the Civil Rights Museum in Belzoni, MS.

Wednesday, September 6, 2017

"Outrageous "Calligraphy

Here is a framed print of my calligraphic piece entitled     " Outrageous". It is part of my "ripped torn series", where I use my hands, never scissors, to tear the papers and create that loose effect I am after. 
I prefer using  handmade paper whenever possible.   It's the texture, and the way it rips that can even leave intriguing bits of thread  to create my  desired image. I use a heavy white stock to write my message in the Italic alphabet, in black ink. I like to add a metallic water color as an accent. Since I chose gold paint , my frame color was to pick up this hue. This is one of the smaller prints, but I also show this as a card.
Finally, I think the message is why I chose this for today's blog. It reads as follows:" I want to be an outrageous old woman who never gets called old lady. I want to get leaner and meaner, sharp edged and earth colored 'til I fade away from pure Joy!". Author Unknown. 
As my years on this earth mount up, I want to engage and rejoice in my individuality. Pure joy seems a nice way to go. 

Sunday, August 13, 2017

Le Chat in a Bowl

Here I am again in my white bowl series. Made out of high fired porcelain, this one has a specific name." Le Chat" is French for  the cat. French is a language I like to speak and carry it into my work, when possible.
I started doing my "critter" series a while ago. The cat is the perfect creature to abstract, because they all have a certain silhouette. Now with a dog, you are going to want to see the small breed, or the larger; the long haired or sleeker profile. A cat is a cat. I have recently begun to appreciate this animal as I am getting to know a couple as personal friends here in Sedona, where I live.
 You notice its unusual shape? Who says all bowls must be round? I make this by hand.The design is drawn in cobalt blue oxide, then covered with a clear, transparent, lead free glaze that makes it easy to clean. The color white you see is the actual clay. itself.
People often want to buy it for their pet to eat out of. Perfectly understandable. I also enjoy  that as I get to the bottom of the bowl, my cereal is peeking out between the ears or tail. Art that  makes  you smile. I like that.